A pinhole camera, also known as camera obscura, is a camera with an aperture made from a pinhole and does not have a lens. It is a simple optical imaging device that embodies a dark box of sorts with one side having a small hole (literally a pinhole!). This box creates an image of the outside space on
the opposite side of the box.
Some great websites that I came across that offer great instructions/ideas on how to make your own pinhole camera include:
23 Pinhole cameras that you can build at home
How to build your own matchbox pinhole camera
How to make a Pinhole camera
Saving the best for last, I think the following link has a very unique idea:
Awesome Pinhole camera that has 25 pinholes!!
An example from this website is:
Captured by Melanie
Tuesday, 13 May 2014
Sunday, 27 April 2014
Shooting in the Style (Concept & Planning)
CUVDIG401A
– Experiment with techniques to enhance digital image
Topic 15 & 16 – Concept and Planning
Homework for Class/Blog
Concept
Planning
Also called forethought is the process of thinking about and organizing the activities required to achieve a desired goal.
Planning involves the creation and maintenance of a plan. As such, planning is a fundamental property of intelligent behavior. This thought process is essential to the creation and refinement of a plan, or integration of it with other plans; that is, it combines forecasting of developments with the preparation of scenarios of how to react to them.
Requirements:
You are to come up with a concept for a “photographic event”, be it exhibition or shoot.
Now that you have the idea what will you need to do for it to come into being, i.e. plan in brief things like timing, place, participation, audience and any other things that may be needed.
Photographic Event: Wedding
Date: 1st May 2014
Timing and location:
Groom's home: 8am to 9am at Randwick
Bride's home: 9:30 to 10:30am at Coogee
Ceremony: 11:30am to 12:30pm at Happy Park, Coogee
Lunch reception: 1pm to 4pm at McDonald's Coogee
Newlywed's photo shoot: 5pm to 6:30pm at Coogee Beach
Participation: Bride, Groom, Bridal Party, Wedding Guests, Celebrant, Venue contact, Photographer's Assistant
Gear:
Canon 5d Mark II body
Canon 5d Mark III body
Canon 24-70mm f2.8 L+ lens hood
Canon 70-200mm f2.8 L + lens hood
Canon 50mm f1.2 L + lens hood
3x Canon 580EX II speedlight
Pocket Wizards
6 Canon batteries for body, fully charged
40 AA batteries for flashes, full charged
3x 32GB memory cards
8x 8GB memory cards
lens cleaning kit
Remote trigger
2x tripods
Reflector
Emergency Kit:
Safety pins
Bandaids
Umbrella
Rain covers for gear
Poncho
Lighting:
Combination of natural light and flash to be used.
Essential Shots:
Refer to "Essential Shots - Wedding.doc"
Concept Shots:
1. Groom behind bride with outstretched hands in (classic) Titanic (movie) pose while standing on a surfboard in the water at Coogee beach.
Need a surfboard
Off camera flash
Use wide lens, get up close to the bride and groom, have them leer into the lens looking onwards to the distance. They will be facing the right so will be shot from the side pointed at them to the left when facing them.
Use a large aperture to create a dramatic sky, and use flash to create rim lighting on the couple, and enough fill flash to light the couple from the front.
2. Bride and groom made of sand
Props to dress up a sandcastle to look like a bride and groom (made of sand).
Have the sandcastle positioned in front of the water.
Photography front on, water in the background, from a low angle shooting straight to make the sand couple appear larger than they would be in reality.
Extra shots include having the couple standing behind it, or the groom to be hugging the girl sand bride, and vice versa, and perhaps the two couples in the same shots in different poses too.
3. Silhouette of couple at sunset
- Bride head veil to be held up by assistant to flow to the edge of framing of the image (shot at 50mm about 3 meters away from couple).
- Couple to face each other and lean in and kiss (cropped in shot)
- Brides head rested on groom's shoulders (wide shot)
- Sunset in May ends earlier so need to work fast.
*** Note, this exercise is fictitious and is here to satisfy current course requirements only.
Topic 15 & 16 – Concept and Planning
Homework for Class/Blog
Concept
- Concepts as abstract
objects, where objects are the constituents of propositions that mediate
between thought, language, and referents.
Planning
Also called forethought is the process of thinking about and organizing the activities required to achieve a desired goal.
Planning involves the creation and maintenance of a plan. As such, planning is a fundamental property of intelligent behavior. This thought process is essential to the creation and refinement of a plan, or integration of it with other plans; that is, it combines forecasting of developments with the preparation of scenarios of how to react to them.
Requirements:
You are to come up with a concept for a “photographic event”, be it exhibition or shoot.
Now that you have the idea what will you need to do for it to come into being, i.e. plan in brief things like timing, place, participation, audience and any other things that may be needed.
Photographic Event: Wedding
Date: 1st May 2014
Timing and location:
Groom's home: 8am to 9am at Randwick
Bride's home: 9:30 to 10:30am at Coogee
Ceremony: 11:30am to 12:30pm at Happy Park, Coogee
Lunch reception: 1pm to 4pm at McDonald's Coogee
Newlywed's photo shoot: 5pm to 6:30pm at Coogee Beach
Participation: Bride, Groom, Bridal Party, Wedding Guests, Celebrant, Venue contact, Photographer's Assistant
Gear:
Canon 5d Mark II body
Canon 5d Mark III body
Canon 24-70mm f2.8 L+ lens hood
Canon 70-200mm f2.8 L + lens hood
Canon 50mm f1.2 L + lens hood
3x Canon 580EX II speedlight
Pocket Wizards
6 Canon batteries for body, fully charged
40 AA batteries for flashes, full charged
3x 32GB memory cards
8x 8GB memory cards
lens cleaning kit
Remote trigger
2x tripods
Reflector
Emergency Kit:
Safety pins
Bandaids
Umbrella
Rain covers for gear
Poncho
Lighting:
Combination of natural light and flash to be used.
Essential Shots:
Refer to "Essential Shots - Wedding.doc"
Concept Shots:
1. Groom behind bride with outstretched hands in (classic) Titanic (movie) pose while standing on a surfboard in the water at Coogee beach.
Need a surfboard
Off camera flash
Use wide lens, get up close to the bride and groom, have them leer into the lens looking onwards to the distance. They will be facing the right so will be shot from the side pointed at them to the left when facing them.
Use a large aperture to create a dramatic sky, and use flash to create rim lighting on the couple, and enough fill flash to light the couple from the front.
2. Bride and groom made of sand
Props to dress up a sandcastle to look like a bride and groom (made of sand).
Have the sandcastle positioned in front of the water.
Photography front on, water in the background, from a low angle shooting straight to make the sand couple appear larger than they would be in reality.
Extra shots include having the couple standing behind it, or the groom to be hugging the girl sand bride, and vice versa, and perhaps the two couples in the same shots in different poses too.
3. Silhouette of couple at sunset
- Bride head veil to be held up by assistant to flow to the edge of framing of the image (shot at 50mm about 3 meters away from couple).
- Couple to face each other and lean in and kiss (cropped in shot)
- Brides head rested on groom's shoulders (wide shot)
- Sunset in May ends earlier so need to work fast.
*** Note, this exercise is fictitious and is here to satisfy current course requirements only.
Monday, 24 March 2014
Post Modernism
The post modernism movement began in the mid 1960's, and is a move away from the Modernist era of photography which was the development of modern industrial societies and the rapid growth of cities, followed then by the horror of World War I. Modernism also rejected the certainty of Enlightenment thinking, and many modernists rejected religious belief (source: Wikipedia). Post modernism is formed around the idea that many apparent realities are only social constructs, as they are subject to change inherent to time and place.
The following extract was sourced from Post Modernism in a nutshell:
"It [Post modernism] emphasizes the role of language, power relations, and motivations; in particular it attacks the use of sharp classifications such as male versus female, straight versus gay, white versus black, and imperial versus colonial. Rather, it holds realities to be plural and relative, and dependent on who the interested parties are and what their interests consist of. It upholds the belief that there is no absolute truth and the way in which different people perceive the world is subjective. It attempts to problematise modernist overconfidence, by drawing into sharp contrast the difference between how confident speakers are of their positions versus how confident they need to be to serve their supposed purposes. Postmodernism has influenced many cultural fields, including religion, literary criticism, sociology, linguistics, architecture, history, anthropology, visual arts, and music.
Postmodernist thought is an intentional departure from modernist approaches that had previously been dominant. The term “postmodernism” comes from its critique of the “modernist” scientific mentality of objectivity and progress associated with the Enlightenment.
These movements, modernism and postmodernism, are understood as cultural projects or as a set of perspectives. “Postmodernism” is used in critical theory to refer to a point of departure for works of literature, drama, architecture, cinema, journalism, and design, as well as in marketing and business and in the interpretation of law, culture, and religion in the late 20th and early 21st centuries.[1] Indeed, postmodernism, particularly as an academic movement, can be understood as a reaction to modernism in the Humanities. Whereas modernism was primarily concerned with principles such as identity, unity, authority, and certainty, postmodernism is often associated with difference, plurality, textuality, and skepticism."
Some examples of post modernist photography are shown below. They were copied from and pasted into this blog from www.theclotheswhisperer.co.uk :
The following extract was sourced from Post Modernism in a nutshell:
"It [Post modernism] emphasizes the role of language, power relations, and motivations; in particular it attacks the use of sharp classifications such as male versus female, straight versus gay, white versus black, and imperial versus colonial. Rather, it holds realities to be plural and relative, and dependent on who the interested parties are and what their interests consist of. It upholds the belief that there is no absolute truth and the way in which different people perceive the world is subjective. It attempts to problematise modernist overconfidence, by drawing into sharp contrast the difference between how confident speakers are of their positions versus how confident they need to be to serve their supposed purposes. Postmodernism has influenced many cultural fields, including religion, literary criticism, sociology, linguistics, architecture, history, anthropology, visual arts, and music.
Postmodernist thought is an intentional departure from modernist approaches that had previously been dominant. The term “postmodernism” comes from its critique of the “modernist” scientific mentality of objectivity and progress associated with the Enlightenment.
These movements, modernism and postmodernism, are understood as cultural projects or as a set of perspectives. “Postmodernism” is used in critical theory to refer to a point of departure for works of literature, drama, architecture, cinema, journalism, and design, as well as in marketing and business and in the interpretation of law, culture, and religion in the late 20th and early 21st centuries.[1] Indeed, postmodernism, particularly as an academic movement, can be understood as a reaction to modernism in the Humanities. Whereas modernism was primarily concerned with principles such as identity, unity, authority, and certainty, postmodernism is often associated with difference, plurality, textuality, and skepticism."
Some examples of post modernist photography are shown below. They were copied from and pasted into this blog from www.theclotheswhisperer.co.uk :
A Postmodern photography example. Author unknown.
Personal note: I LOVE this image and the use of the many hands to form one image. I had found this last year when researching hands for another photographic assignment.
Comme des Garcons for H&M 2008
David LaChapelle
Hyper and pseudo realities David LaChapelle
Introduction to Post Modern Fashion Guy Bourdin
The influence of Japanese street style by Larien Celebrindal
Martin Margiela Fragrance Ad
Sunday, 23 March 2014
Creating "Pop Art" styled images
From Blue Lightning TV on YouTube, I found an easy to follow instructional video Photoshop: How to make a POP ART portrait from a photo! Using the tutorial I was able to convert a photo of a little baby into an Andy Warhol styled pop art image. However, I didn't like my attempt that much so reverted to downloading an app on my trusty mobile phone, InstaPopArt from Google Play and was able to - within seconds - create, save and upload - these two collages.
That is just two ways to turn ordinary images into Pop Art styled images, however a simple Google search will reveal there are a zillion ways to do this.
Saturday, 22 March 2014
Pop Art
The art movement - Pop art - originated in London art schools in the 1950's. Pop art is characterised by its
Extract from Wikipedia on the origins of pop art:
"The origins of pop art in North America and Great Britain developed differently. In the United States, it marked a return to hard-edged composition and representational art as a response by artists using impersonal, mundane reality, irony and parody to defuse the personal symbolism and "painterly looseness" of Abstract Expressionism. By contrast, the origin in post-War Britain, while employing irony and parody, was more academic with a focus on the dynamic and paradoxical imagery of American popular culture as powerful, manipulative symbolic devices that were affecting whole patterns of life, while improving prosperity of a society. Early pop art in Britain was a matter of ideas fueled by American popular culture viewed from afar, while the American artists were inspired by the experience of living within that culture. Similarly, pop art was both an extension and a repudiation of Dadaism. While pop art and Dadaism explored some of the same subjects, pop art replaced the destructive, satirical, and anarchic impulses of the Dada movement with detached affirmation of the artifacts of mass culture. Among those artists seen by some as producing work leading up to Pop art are Pablo Picasso, Marcel Duchamp, Kurt Schwitters, and Man Ray. Some of the work of Alex Katz anticipated Pop art."
An interesting website is Pop Art Photographer by David Siqueiros. I didn't realise there would be a market for an a pop art dedicated photographer, but it seems there is. It is said that you learn something new everyday. I'm now done for the day.
What is Pop Art’s relationship to the dada movement?
"Pop art employs aspects of mass culture, such as advertising, comic books and mundane cultural objects. It is widely interpreted as a reaction to the then-dominant ideas of abstract expressionism, as well as an expansion upon them. And due to its utilization of found objects and images it is similar to Dada ... pop art was both an extension and a repudiation of Dadaism.". (Source: Wikipedia)
How did the American take on Pop Art differ from that of the UK?
"The origins of pop art in North America and Great Britain developed differently. In the United States, it marked a return to hard-edged composition and representational art as a response by artists using impersonal, mundane reality, irony and parody to defuse the personal symbolism and "painterly looseness" of Abstract Expressionism. By contrast, the origin in post-War Britain, while employing irony and parody, was more academic with a focus on the dynamic and paradoxical imagery of American popular culture as powerful, manipulative symbolic devices that were affecting whole patterns of life, while improving prosperity of a society. Early pop art in Britain was a matter of ideas fueled by American popular culture viewed from afar, while the American artists were inspired by the experience of living within that culture. Similarly, pop art was both an extension and a repudiation of Dadaism. While pop art and Dadaism explored some of the same subjects, pop art replaced the destructive, satirical, and anarchic impulses of the Dada movement with detached affirmation of the artifacts of mass culture. Among those artists seen by some as producing work leading up to Pop art are Pablo Picasso, Marcel Duchamp, Kurt Schwitters, and Man Ray. Some of the work of Alex Katz anticipated Pop art." (Source: Wikipedia)
How has the visual aesthetic of Pop Art influenced contemporary artists/ photographers?
"Artists still use today most of the features of the pop art style as inspiration for their artworks. Andy Warhol’s and Roy Lichtenstein’s works are the most often used as models for their contemporary works. You will see that today’s artists are creating cool illustrations, prints and posters with details like: dotted image, strong and multiple colors, series of images on one print, famous people faces and home utilities like tv, radio, cameras. Pop Art artwork, because of it’s bundle of colors represents a great inspirations for designers, whether we’re talking about product prints, posters, canvases, t-shirts or many other things." (Source: http://www.pixel77.com/the-influence-of-art-history-on-modern-design-pop-art/) Go to that website to see some applications of pop art onto various products.
How has the “subversive” movement of Pop Art influenced contemporary art/ photography?
Extract from Wikipedia on the origins of pop art:
"The origins of pop art in North America and Great Britain developed differently. In the United States, it marked a return to hard-edged composition and representational art as a response by artists using impersonal, mundane reality, irony and parody to defuse the personal symbolism and "painterly looseness" of Abstract Expressionism. By contrast, the origin in post-War Britain, while employing irony and parody, was more academic with a focus on the dynamic and paradoxical imagery of American popular culture as powerful, manipulative symbolic devices that were affecting whole patterns of life, while improving prosperity of a society. Early pop art in Britain was a matter of ideas fueled by American popular culture viewed from afar, while the American artists were inspired by the experience of living within that culture. Similarly, pop art was both an extension and a repudiation of Dadaism. While pop art and Dadaism explored some of the same subjects, pop art replaced the destructive, satirical, and anarchic impulses of the Dada movement with detached affirmation of the artifacts of mass culture. Among those artists seen by some as producing work leading up to Pop art are Pablo Picasso, Marcel Duchamp, Kurt Schwitters, and Man Ray. Some of the work of Alex Katz anticipated Pop art."
What is Pop Art’s relationship to the dada movement?
"Pop art employs aspects of mass culture, such as advertising, comic books and mundane cultural objects. It is widely interpreted as a reaction to the then-dominant ideas of abstract expressionism, as well as an expansion upon them. And due to its utilization of found objects and images it is similar to Dada ... pop art was both an extension and a repudiation of Dadaism.". (Source: Wikipedia)
How did the American take on Pop Art differ from that of the UK?
"The origins of pop art in North America and Great Britain developed differently. In the United States, it marked a return to hard-edged composition and representational art as a response by artists using impersonal, mundane reality, irony and parody to defuse the personal symbolism and "painterly looseness" of Abstract Expressionism. By contrast, the origin in post-War Britain, while employing irony and parody, was more academic with a focus on the dynamic and paradoxical imagery of American popular culture as powerful, manipulative symbolic devices that were affecting whole patterns of life, while improving prosperity of a society. Early pop art in Britain was a matter of ideas fueled by American popular culture viewed from afar, while the American artists were inspired by the experience of living within that culture. Similarly, pop art was both an extension and a repudiation of Dadaism. While pop art and Dadaism explored some of the same subjects, pop art replaced the destructive, satirical, and anarchic impulses of the Dada movement with detached affirmation of the artifacts of mass culture. Among those artists seen by some as producing work leading up to Pop art are Pablo Picasso, Marcel Duchamp, Kurt Schwitters, and Man Ray. Some of the work of Alex Katz anticipated Pop art." (Source: Wikipedia)
How has the visual aesthetic of Pop Art influenced contemporary artists/ photographers?
"Artists still use today most of the features of the pop art style as inspiration for their artworks. Andy Warhol’s and Roy Lichtenstein’s works are the most often used as models for their contemporary works. You will see that today’s artists are creating cool illustrations, prints and posters with details like: dotted image, strong and multiple colors, series of images on one print, famous people faces and home utilities like tv, radio, cameras. Pop Art artwork, because of it’s bundle of colors represents a great inspirations for designers, whether we’re talking about product prints, posters, canvases, t-shirts or many other things." (Source: http://www.pixel77.com/the-influence-of-art-history-on-modern-design-pop-art/) Go to that website to see some applications of pop art onto various products.
How has the “subversive” movement of Pop Art influenced contemporary art/ photography?
Thursday, 13 March 2014
Cubism
The Cubism art movement began between 1907 and 1911, pioneered by artists such as Georges Braque and Pablo Picasso, and joined by a number of other artists who together revolutionised European painting and sculpture, and also inspired related movements in music, literature and architecture. Cubist artworks take objects that are analysed, broken up and then reassembled in an abstracted form. What makes cubist pieces interesting from the norm is the change to viewpoint. A number of viewpoints are used to showcase the subject in greater context (source: Wikipedia).
Some examples include
L'Homme au Balcon, Man on a Balcony (Portrait of Dr. Théo Morinaud) by Albert Gleizes, 1912, oil on canvas, 195.6 x 114.9 cm (77 x 45 1/4 in.), Philadelphia Museum of Art.
A good resource providing tips on how to prepare your own cubism photo montage can be found at Incredible Art.
Some examples include
La Femme au Cheval, Woman with a horse, by Jean Metzinger, 1911-1912, Statens Museum for Kunst, National Gallery of Denmark.
Les Demoiselles d'Avignon by Pablo Picasso, 1907, considered to be a major step towards the founding of the Cubist movement
Figure dans un Fauteuil (Seated Nude, Femme nue assise) by Pablo Picasso, 1909-10.
Quarry Bibémus by Paul Cézanne, 1898-1900, Museum Folkwang, Essen, Germany.
Simultaneous Windows on the City by Robert Delaunay, 1912. This is an example of Abstract Cubism.
A good resource providing tips on how to prepare your own cubism photo montage can be found at Incredible Art.
Wednesday, 12 March 2014
Attempting Surrealism
Here is my first (rather quick) attempt at photographic surrealism:
To achieve this image I combined three images to create this one image:
1. a wine glass
2. a photo of a young boy with his hand pressed against a glass, trying to escape (albeit, looking rather happy)
3. a bubbly background texture to finish the image (the texture was a free texture download)
Individually and in their the images looked like this:
I began with the glass image, added the image of the boy, then the texture. Then I darkened the edges to tie in the whole shot. I distorted the original image of the boy so that he looked curved to suit the wine glass, as opposed to just flat. I did this using the manual correction facility of the lens correction options in Adobe Photoshop. The image was converted to black and white.
I think this image is rather average, however it does qualify as an image that fits within the surrealism genre.
I learned that my photoshop skills have improved incredibly, and yet I acknowledge that still have a long way to go before calling myself a digital artist. Next time I may spend time to learn about the Photoshop mapping (?) feature where I can adjust the contours of the layers so that they match better.
To achieve this image I combined three images to create this one image:
1. a wine glass
2. a photo of a young boy with his hand pressed against a glass, trying to escape (albeit, looking rather happy)
3. a bubbly background texture to finish the image (the texture was a free texture download)
Individually and in their the images looked like this:
I began with the glass image, added the image of the boy, then the texture. Then I darkened the edges to tie in the whole shot. I distorted the original image of the boy so that he looked curved to suit the wine glass, as opposed to just flat. I did this using the manual correction facility of the lens correction options in Adobe Photoshop. The image was converted to black and white.
I think this image is rather average, however it does qualify as an image that fits within the surrealism genre.
I learned that my photoshop skills have improved incredibly, and yet I acknowledge that still have a long way to go before calling myself a digital artist. Next time I may spend time to learn about the Photoshop mapping (?) feature where I can adjust the contours of the layers so that they match better.
Saturday, 8 March 2014
Surrealism in photography
The works of Joel Robinson (see some of his fabulous work on flickr) and Jerry Uelsmann provide wonderful photographic examples of surrealism.
Joel produces amazing images where he breaks the norm by taking scenes and transforming them, allowing us to see his imagination come to life.
Here are three links to images I think are great and I found inspiring:
Joel hanging off a stack of books Taken May 13, 2013, Joel commented that "This image has been in my head for a few months now. It was inspired by a book that even after I finished reading it, it left me hanging on for more." On the same theme of books, there is also Joel in magnifying glass in book
I love those above books, as they remind me of my children who are book worms, in particular my son. It draws me into the image, and like Joel, I have read a few great books that have left me hungry for more, more, more, so I understood the story behind his photographic interpretation/story telling.
http://www.flickr.com/photos/joel_r/8402458142/ Taken January 19, 2013, Joel commented this image was done in collaboration with Ted Craig Photography, creating photos based off of the fortunes that come with Yogi Tea. Joel - "This fortune/message hit home for me, I tend to focus on the past alot. Sometimes in a good way, as reflection or acknowledgement of where I've been and what I've overcome, but sometimes I analyze every little bit of what I could have done differently or better. I'm starting to realize that it's true, the more time you spend looking at the path you've taken, the less time to have to enjoy the path you're about to be on. My image is inspired by taking something from the past and using it to propel yourself forward."
(For copyright purposes I was unable to share the image directly on this page).
Jerry on the other hand could be seen as a visionary, a man ahead of his time. A modern day surreal story teller. Married to Maggie Taylor, whose work can be seen here, is a woman who too is a visionary. She creates sensational images, which emerge as a result of combining various techniques to make a final image.
Joel produces amazing images where he breaks the norm by taking scenes and transforming them, allowing us to see his imagination come to life.
Here are three links to images I think are great and I found inspiring:
Joel hanging off a stack of books Taken May 13, 2013, Joel commented that "This image has been in my head for a few months now. It was inspired by a book that even after I finished reading it, it left me hanging on for more." On the same theme of books, there is also Joel in magnifying glass in book
I love those above books, as they remind me of my children who are book worms, in particular my son. It draws me into the image, and like Joel, I have read a few great books that have left me hungry for more, more, more, so I understood the story behind his photographic interpretation/story telling.
http://www.flickr.com/photos/joel_r/8402458142/ Taken January 19, 2013, Joel commented this image was done in collaboration with Ted Craig Photography, creating photos based off of the fortunes that come with Yogi Tea. Joel - "This fortune/message hit home for me, I tend to focus on the past alot. Sometimes in a good way, as reflection or acknowledgement of where I've been and what I've overcome, but sometimes I analyze every little bit of what I could have done differently or better. I'm starting to realize that it's true, the more time you spend looking at the path you've taken, the less time to have to enjoy the path you're about to be on. My image is inspired by taking something from the past and using it to propel yourself forward."
(For copyright purposes I was unable to share the image directly on this page).
Jerry on the other hand could be seen as a visionary, a man ahead of his time. A modern day surreal story teller. Married to Maggie Taylor, whose work can be seen here, is a woman who too is a visionary. She creates sensational images, which emerge as a result of combining various techniques to make a final image.
Sunday, 2 March 2014
The Modernist era of photography
When the modernist era commenced in the photographic realm is questionable with various dates being thrown around in various sources. However, it could be said that it is an ongoing era which commenced from the 1860's.
What is modernism? Here is an extract from Wikipedia that I think explains it well:
"Modernism, in general, includes the activities and creations of those who felt the traditional forms of art, architecture, literature, religious faith, philosophy, social organisation, and activities of daily life were becoming outdated in the new economic, social, and political environment of an emerging fully industrialised world. .... A notable characteristic of Modernism is self-consciousness, which often led to experiments with form, along with the use of techniques that drew attention to the processes and materials used in creating a painting, poem, building, etc. Modernism explicitly rejected the ideology of realism and makes use of the works of the past by the employment of reprise, incorporation, rewriting, recapitulation, revision and parody."
Modern photography, specifically in Australia commenced in the mid-20th century. It was European settlers who brought with them a modern aesthetic and training. Such Modernists included the likes of Wolfgang Sievers, Helmut Newton, Henry Talbot, Athol Shmith and Norman Ikin.
Today, photography in Australia is highly competitive.
What is modernism? Here is an extract from Wikipedia that I think explains it well:
"Modernism, in general, includes the activities and creations of those who felt the traditional forms of art, architecture, literature, religious faith, philosophy, social organisation, and activities of daily life were becoming outdated in the new economic, social, and political environment of an emerging fully industrialised world. .... A notable characteristic of Modernism is self-consciousness, which often led to experiments with form, along with the use of techniques that drew attention to the processes and materials used in creating a painting, poem, building, etc. Modernism explicitly rejected the ideology of realism and makes use of the works of the past by the employment of reprise, incorporation, rewriting, recapitulation, revision and parody."
Modern photography, specifically in Australia commenced in the mid-20th century. It was European settlers who brought with them a modern aesthetic and training. Such Modernists included the likes of Wolfgang Sievers, Helmut Newton, Henry Talbot, Athol Shmith and Norman Ikin.
Today, photography in Australia is highly competitive.
Saturday, 22 February 2014
Pictorialist style image captured at Wolli Creek
Tasked with attempting to capture my own example of a pictorialist style image I stopped by the waters at Wolli Creek and captured this image. This was achieved by using a zoom lens at a focal length of 200mm, an aperture of f/29 and a slow shutter speed of 1/25 sec.
The reason this image passes as a pictorialist style is the use of a photo capturing technique to make what is appear to be something slightly different.
The reason this image passes as a pictorialist style is the use of a photo capturing technique to make what is appear to be something slightly different.
Friday, 21 February 2014
The Pictorialist and Secessionist movement
Not
clearly defined, pictorialism is a style that peaked between the years of 1885
and 1915, dominating the photography realm by allowing photographers to
manipulate a scene or image to "create" an image (as opposed to
simply recording it). Its popularity waned by the 1920s (when modernism was in
fashion) but again saw some success in the 1940s.
The photo-secession movement of the early 20th century assisted in the promotion of photography as a fine art, especially in the area of photographic pictorialism. In
Australia this movement was instrumental for getting photography recognised as
an art form.
Thursday, 20 February 2014
My Photographic Journey ... in words
From a young age I would avoid being immortalised by the click of a camera, hiding/refusing/dodging
the ever imminent click. Instead I preferred to do the clicking; to capture the
memories of those around me. At age 8 I faced the world, ok, my family, with my
first camera. The rest is history, as they say.
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